1. Gawad Digmaang Rosas 11 is open to Kapampangan Youth participants who are 15-30 years old before November 6, 2015 (ceiling age as defined by R.A. 8044 or the Youth in Nation-Building Act).
2. “Umalpas: Pagtatalaban ng Kaalaman at Karanasan” serves as the theme for the awards night which will be held in January 2016. Entries may or may not bear the theme.
3. Participants who are not residents of Pampanga but have Kapampangan roots may join.
4. Entries may be written in Kapampangan, Filipino or English. Entries should show Kapampangan sensibilities.
Call for Papers for 3rd Literary Studies International Conference (Universitas Sanata Dharma, Indonesia)
The 1965 Coup in Indonesia: Questions of Representation 50 Years Later
Conference date and venue: Oct. 21-22, 2015 at Universitas Sanata Dharma, Yogyakarta, Indonesia
Department of English Letters, English Education, and the Graduate Program of English Language Studies, Universitas Sanata Dharma, Yogyakarta, Indonesia, in cooperation with Kritika Kultura, the international refereed journal of language, literary, and cultural studies of the Department of English, Ateneo de Manila University and Reading Asia, Forging Identities in Literature (RAFIL), a consortium of universities in the Asia-Pacific region with programs and projects in the field of Asian literatures
The deadline to submit an abstract has been extended to Aug. 31, 2015.
In 1965, one of the worst massacres of the 20th century occurred in Indonesia. At least 500,000 citizens were murdered without trial following what has been portrayed in the country’s “official” history as an abortive leftist coup. The political dissidents were called by the Army “Gestapu” (Gerakan September Tigapuluh [The Movement of the 30th September]) after the Nazi secret police.
Observers have noted that the cracking down of any form of resistance to the regime became a systematic political strategy of the “New Order,” a term used by Suharto to refer to his regime, and henceforth also used to refer to the years 1965-1998 in which Suharto ruled. With “Pancasila” as the national ideology, the New Order is said to have been propped up by widespread proliferation of representations of the “coup” in the regime’s historical accounts, mainstream historiography, and in the major media such as films, demonizing and blaming the victims themselves for the tragic event.